StudioLink: the most seamless workflow ever conceived in a creative suiteįrom within Affinity Publisher, you can instantly access the advanced toolsets of Affinity Designer and Affinity Photo without ever leaving your layout thanks to the world-first StudioLink technology. It’s now being used by more than three million users (and counting!), delivering a next-level experience for photographers, designers, artists, architects, students, teachers, publishers, hobbyists and others looking for top tier creative software without sky-high subscription fees. No matter what the argument, I can still bring it back to “if you got paid, hand over the files if asked.Since its inception, Affinity has gained the trust of professionals across the globe and picked up some of the industry’s most prestigious awards. I know many of my fellow designers will not agree with this advice, and still more will scream about contracts, legal obligations, standards & ethics, blah-blah-blah. So withholding the source files from your client will only ensure that you’ll never get work from that company again, nor any company that your client contact goes to work for in the future. Once opened, go to the Image drop down menu and choose Image Size From here, all you need to do is change the 72ppi to 300 next to the Resolution label and press 'OK'. It is not unusual for a designer and his or her client to get into a dispute over who owns and can use the source files generated during a project. Photoshop: Begin by opening the image in photoshop. There are plenty of $25 an hour “designers” out there that will be more than happy to re-create the work for your client anyway-I know, because I’ve done it many, many times. Send them over or the job isn’t complete and I’m not paying. Back to realityĪgain, it’s important to understand the reality of the business in the modern day. ![]() And be sure to explain why you can’t share the fonts. Convert fonts to outlines in your vector art, and provide a link to the site where the client can purchase the fonts if they so choose. In other words, the printer can install the fonts on their device to print the file but you cannot provide the fonts to your client so they can produce other works using those fonts. By law, you are not permitted to share fonts with anyone other than a service bureau/printer for the purpose of outputting the files for the specific piece of work you used them in. What are you going to do with them if they’re no longer your client anyway? It’s just silly. There’s just no reason to be a stubborn ass about it. Burning a DVD with the files may be necessary, or even sending an external USB drive with all their files (which you should charge them for!) may be necessary if you won’t be working for the client moving forward. Add it all to a Zip file and send it to your client in whatever way is easiest for you. When you design a brochure, provide the InDesign file, any placed vector art, and any image files (including any PSD files that may be required to make edits). When you design a logo, provide the vector files. If you delay, you will tick them off immediately, and for many people, there’s just no getting back to a good place with them once that happens. Trust me, if you’ve been paid for the work, don’t delay in providing those files to the client with a smile on your face. Drawing Brandon wants to create a vector graphic to use as a logo for his company. If you want to be an asshole about a few files that you’ve already been paid for producing, you’re doing nothing but pissing off your (now former) client. Refusing to hand-over the source files (including those priceless layered Photoshop files) is NOT how you earn more work from that client later on. The world we live in simply doesn’t afford us some of the luxuries designers had decades ago with regard to keeping the source files. We’re probably talking about a corporate identity kit, or an ad, or a brochure. You likely aren’t creating a work of art. ![]() ![]() But it doesn’t cover the “working files.” So unless the contract did stipulate that you hand over the source files, you aren’t legally obliged to do so. As such, you do not own the rights to the work-those rights are transferred to the client when you get paid. Unless you had a contract that spells-out otherwise, you are considered work for hire.
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